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3 tips for a home as unique as you are

3 tips for a home as unique as you are
Photo by Tony Hand

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Creating a home that reflects your unique way of seeing the world is a lifelong process. You'd think it would be easy in a time of ubiquitous digital guidance to find a design aesthetic that works for you – but in reality, the volume of possibilities can be paralyzing.

So, to close this season, here are three approaches I recommend to help you refine your personal taste, the foundation for making your environment uniquely yours.

Mine the past

One way to forge an original path is to take a break from screens and their pixel-perfect offerings, turning to older forms of interior design insight. You might have a relative with a stack of old decorating magazines you can borrow. Your local flea markets and vintage shops are another possible source – and of course, there's always eBay.

By choosing long-forgotten source material, you can practice finding out what you like and don't like with imagery that hardly anyone else is looking at. It's a great way to develop an original point of view.

When I toured Full Room recently, Mathieu let me flip through his extensive collection of old Décormags, a publication that showcased the most avant garde interiors of the Seventies and Eighties. He gave me two issues he had duplicates of, and the cover of the January 1977 issue illustrates what I mean:

Suddenly, you're confronted with a room from half a century ago that forces you to make a judgment call on whether or not painting walls and ceiling red is a wise choice.

Flip through the issue and you'll face similar quandaries, like whether pairing floral wallpaper with a polka dot bedspread is something you appreciate or despise:

By making it a routine to absorb off-the-grid imagery, you'll train yourself to make confident design decisions and feed your imagination with material that deserves a second look.

Listen to the poets

What does poetry have to do with interior design? Like poring over ancient decorating magazines, attending to the words of poets is a way of sharpening your perception. Poets have a way of condensing their observations into forms so powerful they make you see the world anew. And fresh seeing is a reliable starting point for making your space speak to you.

Poets can be stunningly direct. In the fourth stanza of her poem "Sometimes", Mary Oliver pronounces:

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Instructions for living a life:
Pay attention.
Be astonished.
Tell about it.

These three instructions also apply to making your home uniquely yours. "Telling about it" might take the form of choosing what delights you and arranging these things in a meaningful way.

Photo by Suzy Hazelwood

Employ 'the tea bag effect'

In a recent issue of Apartamento magazine, famous French industrial designer Ronan Bouroullec describes his creative process with an unusual analogy:

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"I'm interested in objects, but I'm more interested in the atmosphere they create. For me, an object is like a tea bag. When you put it in a room, it's like putting a tea bag in a glass of hot water. It generates something in the atmosphere."

Ever since reading the interview, I haven't been able to get this tea bag concept out of my head. It articulates something I've been trying to get at in this newsletter, but never expressed so simply.

It's an encouraging analogy because it invites you to experiment. Who knows what potent but neglected objects you might have tucked away in a cupboard or drawer? It's up to you to find them, try them out in your space, and make some fragrant and delicious tea.

Tip: Although the article isn't online, you can buy this Apartamento issue and have it mailed to you.

Issue #34 — Apartamento Magazine
Featuring: Espace Aygo, Ronan Bouroullec, Rose Wylie, Agosto Machado, Miyako Bellizzi, SAGG Napoli, Jane Dickson, Luca Lo Pinto, Gary Schneider & John Erdman, Celeste, Beca Lipscombe, Edgardo Giménez, Molly Manning Walker, Danny Fox, Bethan Laura Wood, Tove Jansson, and Olivia Laing. Plus: Texts by Phoebe Chen, Wale Ayinla, Janika Oza, Thea McLachlan, Miguel Ángel Hernández (tr. Fionn Petch), Claudia Durastanti, Elena Saavedra Buckley, and Maria Judite de Carvalho (tr. MargaretJull Costa); and ‘The Kid with No Dad’, a short story by Alejandro Zambra (tr. Megan McDowell)

Thank you for reading.